Artist responve frpm STHLM Dans
Text by Semela Skënderasi
In early May, I had the opportunity to visit STHLM Dans as part of the Visiting Artist Programme (VAP), sent and supported by Albania Dance Meeting. These were a couple of incredible days at the 5th edition of the festival that can only be described as an enriching, fruitful and fun experience.
At first, I felt very intrigued and curious about this choice, because coming from the Balkans, I always felt a bit far away from the Scandinavian context. I have to say, it totally exceeded my expectations. This was my first time in Scandinavia and I had the best start I could have wished for. The whole visit was filled with very diverse events and a well thought-out programme so we really did get a taste of it all; from performances to networking events, from talks to parties and of course: Fika!
My observations during performances and networking sessions revealed the diverse dynamics of artistic creation across major institutions and small independent collectives and how each context significantly influences artistic and social meaning. I was personally moved by the sense of dance community existing in Stockholm, a great example of grassroots initiatives where the independent scene came together beautifully to become a great force. Furthermore, I am especially impressed by the system on which Höjden was created and also the structure of regenerative art keeping Kontär alive and thriving. All of these left me thinking about the environment that shapes the artistic productions in Albania.
Each performance I watched was truly unique, embodying the very essence of it. Becoming Tree by Freddy Houndekindo was one of the performances that I enjoyed the most. We all followed Freddy through the halls of Liljevalchs, filled with powerful paintings while the work turned the performer’s body into a vessel of rhythm, voice and breath.
This year, STHLM Dans coincided with Baltic Take Over, which was one of the highlights of the visit. Not only did I find out a lot about the Swedish scene, but I even got a taste of the Baltic scene and context. That was truly a pleasant bonus.
I would also like to mention particularly Clap&Slap by Agniete Lisičkinaite and Igor Shugaleev, presented at Kontär – a strong, political and emotional piece which will stay with me for a long time.
The informal encounters with fellow artists, programmers and producers were as valuable as the formal programme. We were a wonderful mix of artists from Ukraine, Greece, Norway, Estonia, Belgium, Catalonia and Albania, and we instantly bonded, having a blast together. It felt very refreshing to be in the same room with all these amazing artists, each offering a different point of view from mine.
I left Stockholm with new perspectives, rich encounters, nourishing experiences, and a full heart! I am so grateful to STHLM Dans and Marie for having me!
